Triumph of Dionysos Mosaic in Paphos, Cyprus

Triumph of Dionysos Mosaic in Paphos, Cyprus

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House of Dionysus

The House of Dionysus is located in the Paphos Archaeological Park in the Paphos district.

It is a luxury building of the Roman period which belongs to the Hellenistic type of house, where the room develop around a courtyard which was the centre of the building. It seems to have been built at the end of the 2 nd century A.C and was destroyed with the earthquakes in the beginning of the 4 th century.

From the 2000 square metres of the building, one fourth of it is decorated with floor mosaics which show themes of mythology, vintage, hunting etc. At the entrance of the house there is a floor made of sea shells which shows the mythical sea monster Skyla, and belongs to an earlier Hellenistic building.

Operating Hours :

Winter hours (16/9 - 15/4)
Monday- Sunday: 8.30 - 17.00

Summer hours (16/4 - 15/9)
Monday- Sunday: 8.30 - 19.30

Paphos Mosaics

The Paphos Mosaics are one of the most historic sites on the island of Cyprus. Considered to be the finest mosaic in the Eastern Mediterranean, the Paphos Mosaics are located beside the harbour.

These striking mosaics are a must see and many of them show scenes from Greek Mythology. They date from the 2nd century through to the 5th century and many are still in remarkable condition. These mosaics would have originally been the floors of Roman noblesmen’s villas and many of these sites are still being excavated today.

Some of the houses where these mosaics are on view include the House of Dionysus, the House of Orpheus, the House of Aion, and the Villa of Theseus. In the House of Dionysus there are 14 rooms in total that are covered with these fabulous mosaics and this is roughly around 556 square meters of space. Here you will find mosaics showing the God of wine, Dionysus giving Ikarios the Kind of Athens the secret of viticulture.

The mosaics themselves were made from small cubes of marble and stone which were called tesserae and glass paste was used to broaden the range of color that was available in those days.

The Paphos Mosaics are in fact part of a larger archeological site that also includes a theatre and a castle and it is wise to take at least half a day to explore this area fully. The area is open daily and the admission fee is minimal. Some of the mosaics are also in sheltered areas which gives some relief from the summer sun. You will also find benches located under trees where you can relax and take in the scenery.

There is also a visitor’s center here which includes toilets and a souvenir shop where you can get books and postcards. There are a lot of signposts that direct you to various parts of the Paphos mosaics but a guidebook will also be useful. If you are planning a holiday to Paphos then this is one trip that really shouldn’t be missed and it makes for an excellent day out too.

Paphos mosaics

The House of Dionysos
The mosaic decorations and the mythological compositions are the main characteristics of this restored Roman villa, dating back to the second century A.D. The house is named “House of Dionysos” thanks to the many depictions of Dionysos, the god of wine. The house most probably belonged to a member of the ruling Roman class or to a wealthy citizen of Pafos.

The House of Theseus
The mosaics of the villa of Theseus lie close to the House of Dionysus and date back to the second century A.D. A visitor can see the very interesting geometrical decorations as well as mythological representations. Worth seeing are the mosaics of “Theseus killing the Minotaur” and the “Birth of Achilles”. It is an UNESCO monument since 1980.

The House of Aion
The mosaics of the House of Aion date back to the fourth century A.D and lie close to the mosaics of Dionysus and Theseus. Five mythological scenes worth seeing are: “The bath of Dionysus”, “Leda and the Swan”, “Beauty contest between Cassiopeia and the Nereids”, “Apollo and Marsyas”, and the “Triumphant procession of Dionysus”.

The House of Orpheus
The mosaics of this villa belong to the third century A.D and lie to the west of the House of Theseus. There are three mythological representations worth seeing, “ Orpheus and his Lyre”, “ Hercules and the Lion of Nemea” and “the Amazon”.

The House of Four Seasons
This house lies north of the House of Orpheus. It was named after the mosaic that represents the personification of the four seasons, which dates back to the first half of the third century A.D.

Kato Pafos, near Pafos harbour

Open daily: Winter hours (16th September – 15th April): 8.30 – 17.00

Summer hours (16th April – 15th September): 8.30 – 19.30

Entrance: €4.50(Paid at the entrance of the Archaeological Park and includes all sites within the Park)

Marvelous Mosaics

If history were to ever jump to life, it would undoubtedly make an epic leap in Paphos. The entire town is so exceptional, that extraordinary archaeological sites beckon the masses in a fashion that only a colourful theme park would elsewhere. And one of the most special sites for you to ogle at – the Paphos Mosaics – all comes down to an accidental discovery made by a Cypriot farmer in 1962 that was to forever change the nature of his hometown.

Whilst working his plough, the farmer unearthed fragments of a mosaic that represented only the tip of a much larger iceberg. Subsequent excavations revealed a vast area containing some of the most spectacular examples of Roman mosaic work ever discovered without a doubt the finest in all of the Eastern Mediterranean.

You can find the Roman Moscaics within the Paphos Archaeological Park , down by the small harbour in Kato Paphos very close to the ancient fort. Having purchased your ticket and collected the free explanatory map, the first area you come across is called the House of Theseus. This villa is obviously named after Theseus, who can be seen brandishing a war club against a now vanished (and vanquished) Minotaur in one of many slightly faded depictions.

Also in this precinct is ‘The First Bath of Achilles’, another important mosaic, dating from the 5th century, marking quite a late addition by comparison to most of the Paphos treasures. Young Achilles is shown with his nursemaid, parents and the three Fates in a scene thought to prefigure later Christian iconography.

The museum authorities have constructed a web of boardwalks that criss-cross the floor plan of this large former dwelling with viewing points and information panels, drawing attention to the more significant works of art.

Close by, the covered House of Aion (excavated in 1983) takes its name from the God Aion of whom only a head remains to be seen. There are better representations of Apollo, Cassiopeia, Hermes, Dionysos and various sea creatures, some realistic, others quite fantastic. The sea monsters are being ridden away by several Nereids (sea nymphs) who seem to have taken offence to losing a beauty contest to the alluring Cassiopeia. The House of Aion dates back to the middle of the 4th Century AD and displays some quite sophisticated examples of the mosaic artist’s craft.

A little beyond the remains of these two villas are the houses of Orpheus (famed for his musical skill with the lyre) and of the Four Seasons. As well as a large image of Orpheus, the former has a beautiful panel showing Hercules struggling barehanded with the lion of Nemea. And although the latter area takes its name from the seasons of the year, only autumn has managed to survive the ravages of time during the intervening centuries. However, there are some stylized hunting scenes to enjoy, including a goat shown in the full-frontal posture usually reserved for depictions of humans. Such a colourful collection of edible beasts suggests that this may well have been the banqueting hall of the sumptuous villa that once stood on the same spot.

The biggest and best of the villas is the House of Dionysos, which naturally also contains the best of the mosaic work. It’s a little further from the other areas (still no more than 50 metres or so), but easy to find thanks to the cavernous warehouse-like structure that protects the tesserae from the weather.

Visitors walk on raised platforms around the inside walls of this hangar and are able to look down onto the mosaics. The House of Dionysos (thought to be 3rd century AD) is the oldest on display in Paphos and showcases exquisite representations of Dionysos, and an even older one of the sea monster Scylla and then Apollo chasing after Daphne (shame on him!). Several panels show the tragedy of Pyramus and Thisbe, with a whole menagerie of real and imagined creatures arrayed around the main protagonists. Alongside this, is a panel showing King Ikarios (reputedly the world’s first vintner) and a related image known as ‘The First Wine-Drinkers’ for reasons that seem too obvious to state.

However, the star attraction, possibly of the whole complex, is the Triumph of Dionysos, showing the Roman god riding in a chariot pulled by she-leopards with mythical satyrs and other beasts arranged on either side. Whether or not you are up to speed with all the myths and legends unfolding before your eyes, there is no denying the skill and imagination of the artisans who produced these decorative works of art over a millennium and a half ago!

Whilst taking in the splendour of the Paphos Archaeological Park it’s also worth having a look at the Roman odeion, a small amphitheatre restored in the 1970s, and Saranda Kolones, a former Byzantine fort, now in ruins.

Cyprus Pictures: Roman mosaic in House of Dionysos at Kato Paphos, Cyprus

The House of Dionysos was a Roman villa, probably dating from the 3rd century AD. The mosaic floors are considered among the finest in the Eastern Mediterranean.

They mostly depict scenes from Greek mythology.

The House is at Kato Paphos on the southwest coast of Cyprus, and was excavated between 1962 and 1974.

It was a private house of more than 40 rooms in what was a residential area of the Roman town.

Enchanting Mosaics at the House of Dionysos in Paphos

The city of Paphos is an explorers dream as it offers ancient relics, history, culture, and interesting stories to keep you busy for days together. One such visit-worthy place is the House of Dionysos which swiftly transports you to the bygone era.

The House of Dionysos presents impressive mosaics of Dionysus, the ancient Greek god of wine. This monument is situated in the Paphos Archaeological Park along with other monuments like the House of Aion, House of Theseus, House of Orpheus, etc. The House of Dionysos is spread across 2000 sq. m area and 556 sq. m of it is covered with mosaic floors. These mosaics depict various mythological scenes featuring Dionysos. 

The house is said to be built in 2nd century AD and was abandoned after its destruction in the 4th century AD earthquakes. This is believed to be the house of some Roman ruler or a wealthy and prominent citizen. It has also been declared a UNESCO World Heritage Site of Paphos. 

Today, the site is a major attraction for the tourists of all ages and is visited by thousands of people every year. Located at Kato Pafos, near the Pafos harbour the House of Dionysos is a place that every traveller should visit while touring the city.

Towards the Lighthouse

It is a good idea to familiarise yourself with the lighthouse. It is visible from just about every part of the park, and is a useful waypoint should you get lost. It also makes it easier to place your pictures if you have spent the day wondering around the park taking photos.

And look at how nice and clear that mosaic is! That is what we meant by the benefit of going after a rain shower.

The Mosaics of Paphos

The mosaics of Paphos are one of the cultural attractions to which the homonymous city owes its glory and the large number of visitors that arrive here, as well as generally to the province of Paphos.

Unique works of art and priceless cultural and archaeological treasures for the whole of Cyprus, the mosaics of Paphos are found in the vast area of ​​the Archaeological Park of Kato Paphos, near the port and the homonymous castle and since 1980 they have been included in the UNESCO World Heritage List. Until their accidental discovery in 1961 by a farmer, they have been under the earth for more than 1,600 years, which explains the near-perfect situation they have maintained over the centuries, and the excavations are still ongoing, as there are other parts of the mosaics that have yet to come to light.

The mosaics of Paphos are floors that adorned villas and luxurious residences of noble, administrative and political officials dating from the 3rd to the 5th century AD. These unique artworks are made of small marble pieces, small stones and glass cubes, composing stunning creations with lively and vivid colours, and depicting scenes from Greek mythology, gods, demigods and animals. The House of Dionysus, Orpheus, Aionas, Theseus, the Four Seasons, who got their names from the archaeologists because of the mosaics that are dedicated in these houses, impress even the most demanding lovers of archaeology.

The most impressive finding that has been discovered so far is the House of Dionysus, a luxurious 2,000-square-meter building with 40 rooms belonging to the Roman period. A quarter of the building (556 square meters) is covered with impressive floors with beautiful and vivid colors depicting mythological themes in relation to the god of wine, such as “the triumph of Dionysus”, where the god is depicted on a chariot dragged by two panthers with the accompaniment of Bacchus and his followers, as well as scenes depicting Dionysus and Acme, Ikarios and the shepherds, “Vintage Scenes”, hunting scenes, the personification of the 4 seasons. There are also other themes, such as a peacock, love, “Phaedra and Hippolytus”, “Pyramos and Thisbe”, “Ikarios and Dionysos”, “Poseidon and Amymoni”. Others, again, have mosaics with geometric decoration, quadrants, triangles, stars and many more.

The house of Orpheus dates back to the end of the 2nd-early 3rd century AD. and is covered with impressive and significant mosaics depicting mythological scenes, with the greatest and biggest mosaic representing the musician Orpheus playing music with his lyre among wild beasts, hence the house’s name. In fact, on this mosaic there is an inscription stating the name of the artist. Other mosaics of the House of Orpheus depict the battle of Hercules with the Nemea Lion and a fighting Amazon with her horse.

The House of Theseus is believed to have been the home of the Roman proconsul or a public building and is the largest of all public buildings in the whole of Roman Cyprus. Its name derives from the many mosaics dedicated to the Greek King of Athens, the son of Aegeus and Aithra. The famous floors belong to three different phases, the oldest dating back to the end of the 3rd century or the beginning of the 4th. The central representation lies within a wide circular frame, which is a schematic rendition of the labyrinth, and depicts Theseus standing in it and killing the Minotaur. To the right of Theseus lies an elderly man, who is the personification of the Labyrinth and outside of it, waiting for him outside are the personification of the island Crete and Ariadne. With the earthquakes of 332 and 342 AD, part of the composition and, above all, the heads of Theseus and Crete were destroyed but restored at the end of the 4th century. Another important mosaic shows Poseidon crossing the sea with his wife Amphitrite and dates back to the end of the 4th century, while the third one added to the main hall of the villa depicts the first bath of the newborn Achilles and dates back to the beginning of the 5th century. Other interesting mosaics include geometric decoration or other mythological representations, such as Leda bathing in the river Evrotas and others.

A house that has not been fully excavated but is characterized by works of high aesthetics, the House of the Aionas has mosaic floors in three rooms, dating back to the 4th century AD. The most important mosaics on the floor of the vaulted reception hall, are depicting the Epifaneia of Dionysus, Leda and Kyknos (the Swan), the beauty contest between Cassiopeia and the Nereids, the punishment of Marsias from Apollo with his lyre and the triumphant procession of the god of wine.

The mosaics of Paphos, apart from being one of the most important monuments in the city, are considered among the best in the eastern Mediterranean and are connected with the Aphrodite Cultural Route.


In the founding myth, the town's name is linked to the goddess Aphrodite, as the eponymous Paphos was the son (or, in Ovid, daughter) of Pygmalion [6] whose ivory cult image of Aphrodite was brought to life by the goddess as "milk-white" Galatea. [ clarification needed ]

The author of Bibliotheke gives the genealogy. [7] Pygmalion was so devoted to the cult of Aphrodite that he took the statue to his palace and kept it on his couch. The daimon of the goddess entered into the statue, and the living Galatea bore Pygmalion a son, Paphos, and a daughter, Metharme. Cinyras, debated as to if he is the son of Paphos [8] or Metharme's suitor, founded the city under Aphrodite's patronage and built the great temple to the goddess there. According to another legend preserved by Strabo (xi. p. 505), it was founded by the Amazons. [9]

Old Paphos (Palaepaphos), now known as Kouklia (Greek: Κούκλια Turkish: Kukla or Konuklia French: Covocle) (Engel, Kypros, vol. i. p. 125), is on a hill [10] that had a road which spanned a few miles to the sea. It was not far from the Zephyrium promontory [11] and the mouth of the Bocarus stream. [12]

Archaeology shows that Old Paphos has been inhabited since the Neolithic period. It was a centre for Aphrodite's cult. Aphrodite's mythical birthplace was on the island. The founding myth is interwoven with the goddess such that Old Paphos became the most famous and important place for worshipping Aphrodite in the ancient world.

The Greek names of two ancient kings, Etevandros and Akestor, are attested in Cypriot syllabary on objects of seventh century BC found in Kourion. [13]

Aphrodite and Paphos Edit

The Greeks agreed that Aphrodite had landed at the site of Paphos when she rose from the sea. [14] According to Pausanias (i. 14), although her worship was introduced to Paphos from Syria, it was much more likely that it was of Phoenician origin. Before being proven by archaeology it was thought that Aphrodite's cult had been established before the time of Homer (c. 700 BC), as the grove and altar of Aphrodite at Paphos are mentioned in the Odyssey (viii. 362). [9] Archaeology established that Cypriots venerated a fertility goddess in a cult that combined Aegean and eastern mainland aspects before the arrival of the Greeks. Female figurines and charms found in the immediate vicinity date back to the early third millennium. The temenos was well established before the first structures were erected in the Late Bronze Age:

There was unbroken continuity of cult from that time until 391 AD when the Roman Emperor Theodosius I outlawed all pagan religions and the sanctuary fell into the ruins in which we find it today.

Old Paphos was the centre of worshipping Aphrodite for the whole Aegean world. The Cinyradae, or descendants of Cinyras, were the chief priests Greek by name but of Phoenician origin. Their power and authority were great, but it may be inferred from certain inscriptions that they were controlled by a senate and an assembly of the people. There was also an oracle here. [16] Few cities have ever been so much sung and glorified by the poets. [17] The ruins of Aphrodite's vast sanctuary are still discernible, its circumference marked by huge foundation walls. After its destruction by an earthquake it was rebuilt by Vespasian, on whose coins it is represented, as well as on earlier and later ones, and in the style on those of Septimius Severus. [18] From these representations and the existing ruins, Gustav Friedrich Hetsch, an architect of Copenhagen, has attempted to restore the building. [9] [19] [20]

New Paphos Edit

New Paphos (Nea Paphos) was founded on the sea near a natural harbour. It lay about 60 stadia or 12 km northwest of the old city. [21] It also had a founding myth: it was said to have been founded by Agapenor, chief of the Arcadians at the siege of Troy, [22] who, after the capture of the city, was driven out by the storm that separated the Greek fleet onto the coast of Cyprus. (Pausanias viii. 5. § 2.) An Agapenor was mentioned as king of the Paphians in a Greek distich preserved in the Analecta [23] and Herodotus (vii. 90) alludes to an Arcadian "colony" in Cyprus. [9]

In reality, it was probably founded by Nicocles (d. 306 BC), the last king of Palaepaphos, based on an inscription recording his founding of the temple of Artemis Agrotera at Nea Paphos. The inhabitants of Marion were probably also transferred to this new city after its destruction in 312 BC by Ptolemy. [24] A hoard of unused silver coins (in the Cyprus museum) found under the Hellenistic House dating back to the end of the 4th century BC are the earliest find at the site and indicates its founding date.

Old Paphos always retained the pre-eminence in worship of Aphrodite, and Strabo states that the road leading to it from New Paphos was annually crowded with male and female votaries travelling to the ancient shrine, and coming not only from the New Paphos, but also from other towns of Cyprus. When Seneca said (N. Q. vi. 26, Epistle 91) that Paphos was nearly destroyed by an earthquake, it is difficult to say to which of the towns he refers. Dio Cassius (liv. 23) relates that it was restored by Augustus, and called "Augusta" in his honor but though this name has been preserved in inscriptions, it never supplanted the ancient one in popular use. [9]

According to the biblical Acts of the Apostles, after landing at Salamis and proclaiming the Word of God in the synagogues, [25] the prophets and teachers, Barnabas and Saul of Tarsus, traveled along the entire southern coast of the island of Cyprus until they reached Paphos. [26] There, Sergius Paulus, the Roman proconsul, was converted after Saul rebuked the Sorcerer Elymas. [27] In Paphos, Acts first identifies Saul as Paul. [28]

Tacitus (Hist. ii. 2, 3) records a visit of the youthful Titus to Paphos before he acceded to the empire, who inquired with much curiosity into its history and antiquities. (Cf. Suetonius Titus c. 5.) Under this name the historian included the ancient as well as the more modern city: and among other traits of the worship of the temple he records that the only image of the goddess was a pyramidal stone. [9]

Archaeology Edit

Paphos Archaeological Park covers most of the ancient Greek and Roman City and is a UNESCO World Heritage site for its ancient ruins.

The most significant remains so far discovered are four large and elaborate Roman villas: the House of Dionysos, the House of Orpheus, the House of Aion and the House of Theseus, all with preserved mosaic floors. In addition, excavations have uncovered an Agora, Asklepion, the Basilica of Panagia Limeniotissa, an Odeon cinema, a theatre, and a necropolis known as the Tombs of the Kings.

Post-Classical history Edit

Paphos gradually lost much of its attraction as an administrative centre, particularly after the founding of Nicosia. The city and its port continued to decline throughout the Middle Ages and Ottoman rule, as Nicosia, and the port city of Larnaca became more important.

The city and district continued to lose population throughout the British colonial period and many of its inhabitants moved to Limassol, Nicosia and overseas. The city and district of Paphos remained the most underdeveloped part of the island until 1974.

Modern Paphos Edit

Following the Turkish invasion of Cyprus in 1974, there was rapid economic activity in all fields, especially tourism in the Kato Paphos area. The government invested heavily in irrigation dams and water distribution works, road infrastructure and the building of Paphos International Airport, the second international airport in Cyprus.

In the 1980s, Kato Paphos received most of the investment. In the 1990s, Coral Bay Resort was further developed and in the 2000s, the Aphrodite Hills resort was developed.

Today Paphos, with a population of about 35,961 (as of 2018 [update] ), is a popular tourist resort and is home to a fishing harbour. Ktima is the main residential district while Kato Paphos, by the sea, is built around the medieval port and contains most of the luxury hotels and the entertainment infrastructure of the city. Apostolou Pavlou Avenue (St. Paul's Avenue), the busiest road in Paphos, connects two quarters of the city. It begins near the city centre at Kennedy Square and ends outside the medieval fort at the harbour.

The economy of Paphos heavily depends on tourism and there are four resorts in the district: Kato Paphos, Coral Bay, Latchi, and Aphrodite Hills. The largest is Kato Paphos which employs over half of Paphos' population. Farming, especially banana, grape and tobacco cultivation, contributes significantly to Paphos' economy.

Paphos Castle stands by the harbor, and was originally a Byzantine fort built to protect the harbour. It was rebuilt by the Lusignans in the 13th century before being dismantled in 1570 by the Venetians, who were unable to defend it against the Ottomans who restored and strengthened it after capturing the island. Saranta Kolones, Kato Paphos, near the harbor, is a castle built in the first years of Lusignan rule (beginning of the 12th century) maybe on the site of a previous Byzantine castle. It was destroyed in the earthquake of 1222.

Among the treasures unearthed near Paphos are the mosaics in the Houses of Dionysos, Theseus and Aion, preserved after 16 centuries underground vaults and caves the Tombs of the Kings and the pillar to which Saint Paul was said to have been tied and whipped and the ancient Odeon Theatre. Other places of interest include the Byzantine Museum and the District Archaeological Museum, with its collection of Cypriot antiquities from the Paphos area dating back from the Neolithic Age up to 1700 AD. Near the Odeon are the ruins of the ancient city walls, the Roman Agora, and a building dedicated to Asclepius, god of medicine.

The mosaic floors of these elite villas dating from the 3rd to the 5th century are among the finest in the Eastern Mediterranean. They mainly depict scenes from Greek mythology.

The city contains many catacomb sites dating back to the early Christian period. The most famous is Saint Solomoni Church, originally a Christian catacomb retaining some of its 12th century frescoes. A sacred tree at the entrance is believed to cure the ailments of those who hang a personal offering on its branches.

A few miles outside the city, the rock of Aphrodite (lit. "Stone of the Greek") emerges from the sea. According to legend, Aphrodite rose from the waves at this spot. The Greek name, Petra tou Romiou is associated with the legendary frontier-guard of Byzantine times, Digenis Acritas, who kept the marauding Saracens at bay. It is said that to repel one attack he heaved a large rock at his enemy.

The site recently had the Aphrodite Hills resort built on it. The resort features a five-star intercontinental resort hotel, an 18-hole golf course, tennis courts, fitness facilities, holiday villas, apartments, townhouses and the Retreat Spa. [29]

Near Petra tou Romiou is Palaepaphos, Old Paphos, one of the most celebrated places of pilgrimage in the ancient Greek world, and once an ancient city-kingdom of Cyprus. The ruins of the Temple of Aphrodite stand here, dating back as early as 12th century BC. The temple was one of the most important places of Aphrodite's cult and pilgrimage of the ancient world until the 3rd–4th centuries AD. The museum, housed in the Lusignan Manor, houses artifacts from the area.

Yeroskipou is a town in Paphos' metropolitan area known for many years for its delight 'loukoumi'.

North-east of Paphos lies Ayios Neophytos (St. Neophytos) Monastery, known for its "Encleistra" (Enclosure) carved out of the mountain by the hermit himself, which features some Byzantine frescoes from the 12th and 15th centuries. The painted village church of Emba (Empa) is nearby.

Four kilometres (2.5 miles) north of Paphos is the village of Lemba (Lempa), home to numerous artists, many of whom have open studio shops. It is home to the sculpture known as the Great Wall of Lempa by the Cypriot artist Stass Paraskos and the Cyprus College of Art.

Off the coast of Paphos is the wreck of M/V Demetrios II which ran aground on 23 March 1998 in heavy seas during a voyage from Greece to Syria with a cargo of timber.

Similarly, on 8 December 2011, the EDRO III ran aground off the coast of Cyprus. It is located near the Sea Caves of Paphos on the western shore of the island close to the Akamas Peninsula. Built in the 1960s, registered in Freetown, Sierra Leone, the Edro III is owed by an Albanian shipping company. It was traveling from Limassol, Cyprus to Rhodes when it ran aground. It is still shipwrecked to this day, although its cargo and fuel oil were removed. Local authorities are hesitant to remove the ship from the rocks due to the fact that the coastline is a protected natural park where turtles nest and endemic plant and animal species thrive.

Watch the video: PAPHOS MOSAICS


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